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Updated: June 7, 2025


The late Professor Beljame has shown us how the milieu was created in which, with no subvention, whether from a patron, a theatre, a political paymaster, a prosperous newspaper or a fashionable subscription-list, an independent writer of the mid-eighteenth century, provided that he was competent, could begin to extort something more than a bare subsistence from the reluctant coffers of the London booksellers.

It was still in fair preservation, having till twenty years before been an adjunct of the house of Dalquharter, and used as kitchen, buttery, and servants' quarters. There had been residential wings attached, dating from the mid-eighteenth century, but these had been pulled down and used for the foundations of the new mansion.

It was to escape others for a little longer and then to be yet again rediscovered by the great quartette of the mid-eighteenth century to slip in and out of hands during the later part of that century, and then to be all but finally established, in patterns for everlasting pursuance, by Miss Austen and by Scott.

All this shocked the mid-eighteenth century English traveller, but it was because he did not, perhaps could not, understand. Rigby, "the Norwich alderman" as the French rather contemptuously referred to this fine old English gentleman, said frankly of Chantilly: "All this has cost dear and produced a result far from pleasing."

Certainly the pictures sometimes drawn of the brutality, violent manners and ignorance of the British officer at this period find no confirmation in Nairne's monitions to his son, or in the account of his own military experience which dates from the mid-eighteenth century.

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