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It has been said that Raphael Mengs was a born genius spoiled by the coldness, the pseudo-classicism, the artificiality and eclecticism of the eighteenth century. A companion portrait is Hans Makart, ruined by the amateurishness, the rhapsodizing, the theorizing, the morbid self-consciousness of the nineteenth.
Petersburg, make a rapid study of what he called again the "very embarrassing" case of Michel Menko, and give Varhely an answer within twenty-four hours. "That will give you a chance to take a look at our city, my dear Count. Vienna has changed very much. Have you seen the opera-house? It is superb. Hans Makart is just exhibiting a new picture.
Another wonderful talent is Hans Makart. Such an eye for color, it is quite safe to say, has not been born since Veronese.
Petersburg, make a rapid study of what he called again the "very embarrassing" case of Michel Menko, and give Varhely an answer within twenty-four hours. "That will give you a chance to take a look at our city, my dear Count. Vienna has changed very much. Have you seen the opera-house? It is superb. Hans Makart is just exhibiting a new picture.
He had been born, she made out, somewhere between the Danube and the Oder; he spoke familiarly of the frontier of Silesia. He had studied in Munich and Vienna, and some of his things sumptuous, highly-charged, over-luscious showed clearly enough the influence of Makart and the lawless vicinity of gipsy Hungary.
Madame Parlaghy is a pupil of Makart and of Lenbach, and a native of Hadji-Dóròg, in Hungary. She is between thirty and forty, possessed of glittering, enigmatic eyes, highly-colored cheeks and lips, and the almost too profuse head of hair that one sees so often on the shores of the Danube.
Petersburg, make a rapid study of what he called again the "very embarrassing" case of Michel Menko, and give Varhely an answer within twenty-four hours. "That will give you a chance to take a look at our city, my dear Count. Vienna has changed very much. Have you seen the opera-house? It is superb. Hans Makart is just exhibiting a new picture.
This combination was known as a Makart bouquet, and represented the taste of the period. Döderlein put the little girl down and gave her her doll. Then he drew himself up to the fulness of his gigantic stature, a process that gave him obvious pleasure. His neck was so fat that his chin seemed to rest on a gelatinous mass. He seemed not to recall Daniel.
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