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But the sixteenth century took her for granted as the object of song; she was a class, a state, a sex. It was scarcely necessary to waste the lyrist's time time that went so gaily to metre as not to brook delays in making her out too clearly.
Only two reasons need be adduced for this conclusion. First, it is unreasonable to suppose that the rich, loud, clear notes of the thrasher, the cardinal, and the mockingbird, lilting across the fields and capable of being heard a long distance, are generated far down in the lyrist's chest by the vibrating of the margin of a tiny mucous membrane.
William Young, the thoroughly accomplished editor of the Albion, is to be our creditor in the coming autumn for two hundred songs of Beranger, in English, with the pictorial illustrations which graced the splendid edition of the great lyrist's works recently issued in Paris. Mr.
She had no more of what later times call individuality than has the rose, her rival, her foil when she was kinder, her superior when she was cruel, her ever fresh and ever conventional paragon. She needed not to be devised or divined; she was ready. A merry heart goes all the day; the lyrist's never grew weary.
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