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Lorch's back yard burst into bloom, and for the first time in months Thea dressed without building a fire. The morning shone like a holiday, and for her it was to be a holiday. There was in the air that sudden, treacherous softness which makes the Poles who work in the packing-houses get drunk.

Lorch's lodgers worked in a packing-house, and Mrs. Andersen brought Thea word that she had spoken to Mr. Eckman and he would gladly take her to Packingtown. Eckman was a toughish young Swede, and he thought it would be something of a lark to take a pretty girl through the slaughter-houses. But he was disappointed. Thea neither grew faint nor clung to the arm he kept offering her.

She asked innumerable questions and was impatient because he knew so little of what was going on outside of his own department. When they got off the street-car and walked back to Mrs. Lorch's house in the dusk, Eckman put her hand in his overcoat pocket she had no muff and kept squeezing it ardently until she said, "Don't do that; my ring cuts me."

Paul, with a locked iron fence around it. She had to go to his eldest brother for the key when she went to say good-bye to his grave. She clung to the Swedish Church because it had been her husband's church. As her mother had no room for her household belongings, Mrs. Andersen had brought home with her only her bedroom set, which now furnished her own room at Mrs. Lorch's.

So it happened that with a dull, almost listless ear she heard for the first time that troubled music, ever-darkening, ever-brightening, which was to flow through so many years of her life. When Thea emerged from the concert hall, Mrs. Lorch's predictions had been fulfilled. A furious gale was beating over the city from Lake Michigan.