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They saw it in the sentimental mannerisms of Lenore Honiwell, whose sickish emotionalism slipped pat into the burlesque. They rocked in their seats at the heroics of Tracy Gray Joyce, who could never again be taken seriously, since Luck had tagged him mercilessly as an unconscious comedian. Oh, yes, there was zip to the picture! But there was no explanation of the title.
The Acme people, personally and individually, were sick and tired of all motion pictures that did not portray with vividness the beauty or the talents of themselves, or the faults of their acquaintances. No Acme people, save Lenore Honiwell and Tracy Gray Joyce and a phlegmatic character woman, were in this picture at all.
To see Lenore Honiwell throw back her head, close her eyes, and heave one of those terrific motion-picture sighs always made the camera man snort; yet Luck, who before had considered her scarcely worth a civil bow when he met her, had actually coaxed her away from a director who really admired her style of acting.
And that eye-rolling, limp sentimentalist, Lenore Honiwell, as his leading woman? Luck was known to despise these two, personally and professionally. They could not, to save their lives, get through a dramatic scene together without giving the observers a sickish feeling.
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