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Updated: May 8, 2025


The epoch also boasted Fujiwara Tameuji, founder of the Takuma family of artists, and Fujiwara Motomitsu, founder of the Tosa academy. The sculpture of the time showed greater skill, but less grandeur of conception, than the work of the Nara masters. Sculpture in wood was important, dating especially from the 11th century.

If anyone was reported by these spies as having spoken ill of the Taira, he was seized and punished. One day Kiyomori's grandson, Sukemori, met the regent, Fujiwara Motofusa, and failing to alight from his carriage, as etiquette required, was compelled by the regent's retinue to do so.

During more than twenty years of probation as Crown Prince, this sovereign, Go-Sanjo, had ample opportunity of observing the arbitrary conduct of the Fujiwara, and when he held the sceptre he neglected no means of asserting the authority of the Crown, one conspicuous step being to take a daughter of Go-Ichijo into the palace as chugu, a position created for a Fujiwara and never previously occupied by any save a Fujiwara.

He wished, in the second place, not to absent himself from Kamakura until he could be absolutely assured that his absence would not afford an opportunity to his enemies; which sense of security was not fully reached until the death of Yoshitsune and Fujiwara no Yasuhira, and the complete subjugation of the great northern fief of Oshti in the year 1189.

Before his accession he had married the daughter of Fujiwara Naritoki, to whom he was much attached, but with the crown he had to accept the second daughter of Michinaga as chugu, his former consort becoming Empress. His Majesty had to acquiesce in another arbitrary arrangement also.

He was prompted thereto by Fujiwara Michinori, commonly known as Shinzei, whose counsels were all-powerful at the Court in those days. *The celebrated littérateur, Bakin, adduced many proofs that Tametomo ultimately made his way to Ryukyu and that his descendants ruled the island.

From the very outset he resented the ex-Emperor's attempt to interfere in the administration of affairs, and the two Courts fell into a state of discord, Fujiwara Shinzei inciting the cloistered Emperor to assert himself, and two other Fujiwara nobles, Tsunemune and Korekata, prompting Nijo to resist.

However that may be, the Fujiwara subsequently took the lead in contriving the selection and enthronement of a monarch competent to stem the evil tendency of the time, and when the story of the Fujiwara usurpations comes to be written, we should always remember that it had a long preface of loyal service, a preface extending to four generations.

At a certain period in the development of each we find the same thing happening, the withdrawal of all political authority from the Priest-King, who is suffered, nevertheless, to retain the religious dignity. It may be a mistake to judge the policy of the Fujiwara as a policy of mere ambition and usurpation.

That such a peril should have been dreaded from such a source seems strange; but the Buddhist priests had shown a very dangerous temper more than once, and from Kiyomori's point of view the possibility of their rising to restore the fortunes of the Fujiwara was never remote.

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