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Most probably, however, Matheus Fernandes thought out the tracery for himself.

Raczynski, in his letters to the Berlin Academy, says that he had found Grão Vasco's birth in a register of Vizeu; but Vasco is not an uncommon name, and besides this child, Vasco Fernandes, was born in 1552 far too late to have painted any of the so-called Grão Vasco's pictures.

The carriage waited there; I filled it with jasmine, shut myself up in the shade of the green blinds, and was driven away at a rate that favoured my impatience. We bowled smoothly over the lawns I attempted describing in my last letter, amongst myrtles in flower, that would have done honour to the island of Juan Fernandes.

The great Claustro Real, built by Dom João I., was peculiar among Portuguese cloisters in having, or at least being prepared for, large traceried windows. Probably these had remained blank, and for about a hundred years awaited the tracery which more than any part of the convent shows the skill of Matheus Fernandes.

Lionel, it seems, was on his way to "John Ferdinando," as he calls the modern Juan Fernandes.

But the Voyage which seems to thrust it farthest back in the Longitude I am speaking of, viz., between 130 and 150 degrees West, is that of Admiral Roggeween, a Dutchman, made in 1722, who, after leaving Juan Fernandes, went in search of Davis's Island; but not finding it, he ran 12 degrees more to the West, and in the Latitude of 28 1/2 degrees discover'd Easter Island.

If the church shows that Marcos Pires was not a great architect, the cloister still more marks his inferiority to the Fernandes or to João de Castilho, though with its central fountain and its garden it is eminently picturesque. Part of it is now, and probably all once was, of two stories.

After the return of Duarte Fernandes from Siam, Albuquerque sent a knight named Ruy Nunnez de Acunha, as ambassador to the king of the Sequies, the country we now call Pegu.

with richly cusped pointed arches. Instead of cutting out the cusps and filling the upper part with tracery, Matheus Fernandes has with extraordinary skill thrown a crested transome across the opening and below it woven together a veil of exquisitely carved branches, which, resting on a central shaft, half hide and half reveal the large marble fountain within.