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A deserter announced to the Bruttii that such a dissension prevailed in the city, that Aristomachus was the leader of the commons, and the adviser of the surrender of the city, that the city was of wide extent and thinly inhabited, that the walls in every part were in ruins, that it was only here and there that the guards and watches were kept by senators, and that wherever the commons kept guard, there an entrance lay open.
That out of the four consuls he had slain two; of the two remaining, one was wounded, the other, having lost his whole army, had fled from the field with scarcely fifty men; that the master of the horse, an authority equal to that of consul, had been routed and put to flight; that the dictator, because he had never engaged in a pitched battle, was esteemed a matchless general; that the Bruttii, the Apulians, part of the Samnites and of the Lucanians had revolted to the Carthaginians.
In Lower Italy Lucania was to a less degree influenced by Hellenic art; but in Campania and in the land of the Bruttii, Sabellians and Hellenes became completely intermingled not only in language and nationality, but also and especially in art, and the Campanian and Bruttian coins in particular stand so entirely in point of artistic treatment on a level with the contemporary coins of Greece, that the inscription alone serves to distinguish the one from the other.
It is said that, in the country of the Bruttii, he also proscribed a person, not pursuant to Sulla's orders, but merely to enrich himself thereby, and that, on this account, Sulla, who disapproved of his conduct, never employed him again in any public business.
About this period their levy amounted to 30,000 infantry and 4000 cavalry. Towards the end of the fourth century mention first occurs of the separate confederacy of the Bruttii, who had detached themselves from the Lucanians not, like the other Sabellian stocks, as a colony, but through a quarrel and had become mixed up with many foreign elements.
The Greek Periplus, composed about 418, sets down the Samnites proper with their "five tongues" as reaching from the one sea to the other; and specifies the Campanians as adjoining them on the Tyrrhene sea to the north, and the Lucanians to the south, amongst whom in this instance, as often, the Bruttii are included, and who already had the whole coast apportioned among them from Paestum on the Tyrrhene, to Thurii on the Ionic sea.
Mixed populations thus arose; the bi-lingual Bruttii, in particular, included Hellenic as well as Samnite elements and even perhaps remains of the ancient autochthones; in Lucania and Campania also similar mixtures must to a lesser extent have taken place. Campanian Hellenism
Farther south, in Bruttii and Apulia, the hand of Rome had co-operated with the scourge of war to produce a like result.
About this period their levy amounted to 30,000 infantry and 4000 cavalry. Towards the end of the fourth century mention first occurs of the separate confederacy of the Bruttii, who had detached themselves from the Lucanians not, like the other Sabellian stocks, as a colony, but through a quarrel and had become mixed up with many foreign elements.
In Lower Italy Lucania was to a less degree influenced by Hellenic art; but in Campania and in the land of the Bruttii, Sabellians and Hellenes became completely intermingled not only in language and nationality, but also and especially in art, and the Campanian and Bruttian coins in particular stand so entirely in point of artistic treatment on a level with the contemporary coins of Greece, that the inscription alone serves to distinguish the one from the other.
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