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Updated: May 7, 2025


The erroneous idea of vocal mechanics involved in the doctrine of breath-control is now fully exposed. Tone can be produced only when the expired air exerts a pressure on the vocal cords. There is no necessity for any conscious or voluntary check on the expiration. The energy of the expiration is expended in setting the vocal cords in motion.

Each of these systems of breath-control, opposed muscular action and ventricular, is in fact found on analysis to embody a misconception of scientific principles. Opposed-Action Breath-Control A curious misapprehension of mechanical processes is contained in the doctrine of breath-control by opposed muscular action.

While most authorities on the voice advocate the system of breath-control by "opposed muscular action," there are a number of masters who teach an entirely different system. This is usually known as the "Breath-band," or "Ventricular" breath-control. Charles Lunn, in The Philosophy of the Voice, 1878, was the first to propound the theory that the breath may be controlled by the false vocal cords.

The glottis-closing muscles are fully capable of withstanding this comparatively slight pressure. The doctrine of breath-control is therefore scientifically untenable. This doctrine has no place in Vocal Science. As the basic doctrine of breath-control is unsound, the singer does not need any direct means for controlling the breath.

There is no doubt that correct breathing is very vital both to the stammerer and the non-stammerer, if they are to speak fluently and well. But breath-control does not even begin to solve the problem of curing stammering. It is but an element, and a small element, in the proper articulation of words.

This lack of strain on the throat does away with all danger of a throaty quality of voice-production, which not only is highly inartistic but also leads to various throat troubles. Breath-control implies that no breath is wasted, that every particle of breath, as it comes out, is converted into voice.

This is also true, although not to the same extent, among the "breath-band" teachers. And to render the confusion on the subject of breathing and breath-control complete, instances might be cited of controversies between teachers who agree as to the correct mode of inspiration, and yet disagree on the manner of controlling the expiration.

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