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Updated: August 25, 2024


I frequently smile at the vast pains and precautions of which my 'sacred person' is the object; and I am continually encountering 'by chance' some of those fair ladies who would fain usurp your place, sometimes bedecked with jewels rare, and sometimes, as Racine says, " dans le simple appareil D'une beaute, qu'on vient d'arracher au sommeil.

* Posts, bearing the inscription "la mort est un sommeil eternel," were erected in many public burying-grounds. The latter inscribes on a register the name of the deceased, who is thrown into a grave generally prepared for half a score, and the whole business is finished.

* Posts, bearing the inscription "la mort est un sommeil eternel," were erected in many public burying-grounds. The latter inscribes on a register the name of the deceased, who is thrown into a grave generally prepared for half a score, and the whole business is finished.

On one occasion he was made to pass the night in a slipper-bath full of water; where, although he had all his clothes on, he declared that he nearly caught his death of cold. Another night, in revenge, the poor fellow "dans le simple appareil D'une beaute, qu'on vient d'arracher au sommeil," spent a number of hours contemplating the beauty of the moon on the tiles.

They will not forget the admirable 'Sommeil d'Atys, nor the trio from 'Iphigenia in Aulis' executed, as it had been in Naples, by the mother and the two daughters, grouped behind a husband and father who seemed, in accompanying them, to be reborn in the touching accord of those voices, so tender and so dear, and to feel again some spark of that fire which had animated him when he produced those sublime works."

I frequently smile at the vast pains and precautions of which my <sacred person> is the object; and I am <continually> encountering <by chance> some of those fair ladies who would fain usurp your place, sometimes bedecked with jewels rare, and sometimes, as Racine says, "< dans le simple appareil D'une beaute, qu'on vient d'arracher au sommeil.>

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