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Actualizado: 12 de julio de 2025


=Debió ser=, must have been. =El obelisco del Dos de Mayo=, above an octagonal granite base of four steps, rises a grand sarcophagus, square in form, covered with inscriptions, coats of arms, and a bas-relief which represents the two Spanish officers killed on the second of May, 1808, in the defense of Artillery Park.

With pleasure, Sir. Conozco un poco las costumbres americanas; pero no puedo habituarme a ellas, porque me parecen, en ciertos casos, contrarias a la naturaleza. ¿No se encuentra usted incómoda entre toda esta gente desconocida, que puede ser educada o grosera al azar, en este dormitorio común, en el que cada uno se conduce según sus hábitos más o menos discretos?

Although modern realism triumphed in Spain only with the coming of Fernán Caballero's La gaviota in 1848, the ground was prepared in advance by several writers, the more important of whom are Larra, Estébanez de Calderón and Mesonero Romanos.

In the early years of the seventeenth century, when the mines of Mexico and South America were pouring forth their untold millions, these Indianos were especially numerous in the Spanish capital, and Lope de Vega, with his usual acute perception ready to seize upon any theme popular with the public, gave them a prominent place in his works.

Then with a sweeping and silent bow to the fiancée the actor approached the front of the stage to pronounce this brief address to the public: Aquí Puso fin á esta comedia Quien, si perdiere este pleito, Apela á Mil y Quinientas. MIL Y QUINIENTAS ha escrito: Bien es que perdón merezca.

The accentuation has been changed freely to conform with present usage, translations have been suggested for passages of more than ordinary difficulty and full notes given on proper names and on passages that suggest historical or other connection.

The notes, the direct-method exercises and the vocabulary have been prepared with a view to the needs of beginners. The editors are glad to take this opportunity of expressing their thanks to Professor Juan Cano, Mr. Antonio Alonso, and Miss Madre Merrill of Indiana University, and Dr.

The compañía was the most pretentious theatrical organization composed of thirty persons, capable of producing as many as fifty pieces and accustomed to travel with dignity due the profession. Of still greater simplicity were the theaters where these variously classified actors gave their plays.

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