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In Greek tragedy four forms of the chorus are found, representing four epochs. In the first, between the songs in which gods and heroes are extolled and genealogies, great deeds, and monstrous destinies are brought before the imagination, a few persons appear and carry the spectator back into the past. Of this we find an approximate example in the Seven before Thebes of, Eschylus.

Thus, while Burns is not at all great for New World study, in the sense that Isaiah and Eschylus and the book of Job are unquestionably great is not to be mention'd with Shakspere hardly even with current Tennyson or our Emerson he has a nestling niche of his own, all fragrant, fond, and quaint and homely a lodge built near but outside the mighty temple of the gods of song and art those universal strivers, through their works of harmony and melody and power, to ever show or intimate man's crowning, last, victorious fusion in himself of Real and Ideal.

In Greece, after Eschylus and his stupendous deities, came Sophocles, who restrained them with a calm wisdom, and Euripides, who made them human, but still the mysterious Orphic deities remain and stir us when reading the earlier page. Mr. O'Grady would not have the Red Branch cycle cast in dramatic form or given to the people.

All the best experience of humanity, folded, saved, freighted to us here. Some of these tiny ships we call Old and New Testament, Homer, Eschylus, Plato, Juvenal, &c. Precious minims!