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Updated: May 29, 2025
Thus in one of the most Platonic of our poems, G. E. Woodberry's Agathon, Eros says of the hero, who is the young poet of the Symposium, A spirit of joy he is, to beauty vowed, Made to be loved, and every sluggish sense In him is amorous and passionate. Whence danger is; therefore I seek him out So with pure thought and care of things divine To touch his soul that it partake the gods.
Brooke's Tennyson: His Art and Relation to Modern Life. Van Dyke's The Poetry of Tennyson. Gordon's The Social Ideals of Alfred Tennyson. Lackyer's Tennyson as a Student and Poet of Nature. Luce's Handbook to the Works of Alfred, Lord Tennyson. Woodberry's Swinburne. Thomas's Algernon Charles Swinburne: A Critical Study. Knowles's Kipling Primer. Le Galliene's Rudyard Kipling, A Criticism.
The intellectual distinction of American critical biographies like Lounsbury's Cooper or Woodberry's Hawthorne is all the more notable because we possess such a slender body of truly critical doctrine native to our own soil; because our national literary tradition as to available material and methods is hardly formed; because the very word "American" has a less precise connotation than the word "New Zealander."
Texts: Works, Globe and Aldine editions; also in Chandos Classics; Selections, in Athenasum Press, Canterbury Poets, etc. The Correspondence of William Cowper, edited by T. Wright, 4 vols. See also Woodberry's Makers of Literature. Burns.
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