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None of the many portraits painted of her, not even Winterhalter's, do her the least justice; no brush can paint and no words can describe her charm. I think the famous beauty, Countess Castiglione, cannot begin to compare with her. Their Majesties withdrew. The guests from the chateau and those from Compiegne took their departure, and we all dispersed to our several apartments.
On Saturday, accordingly, they met at Grady's for lunch, Eda attired in her best blouse of pale blue, and when they emerged from the restaurant, despite the torrid heat, she beheld Faber Street as in holiday garb as they made their way to the cool recesses of Winterhalter's to complete the feast.
On Saturday, accordingly, they met at Grady's for lunch, Eda attired in her best blouse of pale blue, and when they emerged from the restaurant, despite the torrid heat, she beheld Faber Street as in holiday garb as they made their way to the cool recesses of Winterhalter's to complete the feast.
On the east wall, on one side of the fireplace, are large oil-paintings of George III. and his consort, Caroline, by Allan Ramsay; and on the other a copy of Winterhalter's picture of Queen Victoria as Empress of India, by Hanson Walker, R.A. Between the southern windows are portraits of King James II. and King Charles II., by Sir Godfrey Kneller and Sir Peter Lely respectively.
I have regretted ever since that I did so, for nothing could have been uglier than the private rooms, with the exception of the Emperor's study and the staircases. This inspection of the Palace bored me terribly. A few of the pictures consoled me, and I stayed some time gazing at Winterhalter's portrait representing the Empress Eugenie.
On Saturday, accordingly, they met at Grady's for lunch, Eda attired in her best blouse of pale blue, and when they emerged from the restaurant, despite the torrid heat, she beheld Faber Street as in holiday garb as they made their way to the cool recesses of Winterhalter's to complete the feast.
But that is just where the fault lay and continued, the inability of the Gobelins ateliers to understand that the two must not be confused. The same false idea that caused Winterhalter's portraits to be copied, gave to the modern tapissiers the paintings of the high Renaissance to reproduce.
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