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The real exposition for Hamlet differs from the other tragedies in requiring an exposition comes in the great speech of the Ghost in Scene V. The contrast between this speech and Horatio's lecture in the first scene, exemplifies the difference between a dramatized and an undramatized exposition. The crisis, as we now learn, began months or years before the rise of the curtain.
She herself mounted in simple, undramatized authority to her official seat beside the landlord, who in coachman's dress, with a bouquet of autumnal flowers in his lapel, sat holding his garlanded reins over the backs of his six horses; and then the coach as she intended it to appear in the parade set out as soon as the turnouts of the other houses joined it.
The opportunity passed undramatized. Laetitia presented herself at church with a face mildly devout, according to her custom, and she accepted invitations to the Hall, she assisted at the reading of Willoughby's letters to his family, and fed on dry husks of him wherein her name was not mentioned; never one note of the summoning call for pathos did this young lady blow.
She herself mounted in simple, undramatized authority to her official seat beside the landlord, who in coachman's dress, with a bouquet of autumnal flowers in his lapel, sat holding his garlanded reins over the backs of his six horses; and then the coach as she intended it to appear in the parade set out as soon as the turnouts of the other houses joined it.
And I can realize in it the culmination of something better than any stereotyped eclat of history or poems. Perhaps, unsung, undramatized, unput in essays or biographies perhaps even some such community already exists, in Ohio, Illinois, Missouri, or somewhere, practically fulfilling itself, and thus outvying, in cheapest vulgar life, all that has been hitherto shown in best ideal pictures.
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