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Updated: June 19, 2025
It is just these habits of the gipsy which I have described, shocking to the moralist and sanitarian and disgusting to the person of delicate stomach, it may be, which please me, rather than the romance and poetry which the scholar-gipsy enthusiasts are fond of reading into him. He is to me a wild, untameable animal of curious habits, and interests me as a naturalist accordingly.
This gives its winning charm to his landscape-painting, whether the scene is laid in Kensington Gardens, or the Alps, or the valley of the Thames. This fills The Scholar-Gipsy, and Thyrsis, and Obermann, and The Forsaken Merman with flawless gems of natural description, and felicities of phrase which haunt the grateful memory.
Next in importance to the narrative poems are the elegies, "Thyrsis," "The Scholar-Gipsy," "Memorial Verses," "A Southern Night," "Obermann," "Stanzas from the Grande Chartreuse," and "Rugby Chapel." All these are worthy of careful reading, but the best is "Thyrsis," a lament for the poet Clough, which is sometimes classed with Milton's Lycidas and Shelley's Adonais.
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