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Updated: May 1, 2025
The bachelor replied that although he was not one of the famous poets of Spain, who were, they said, only three and a half, he would not fail to compose the required verses; though he saw a great difficulty in the task, as the letters which made up the name were seventeen; so, if he made four ballad stanzas of four lines each, there would be a letter over, and if he made them of five, what they called decimas or redondillas, there were three letters short; nevertheless he would try to drop a letter as well as he could, so that the name "Dulcinea del Toboso" might be got into four ballad stanzas.
The bachelor replied that although he was not one of the famous poets of Spain, who were, they said, only three and a half, he would not fail to compose the required verses; though he saw a great difficulty in the task, as the letters which made up the name were seventeen; so, if he made four ballad stanzas of four lines each, there would be a letter over, and if he made them of five, what they called decimas or redondillas, there were three letters short; nevertheless he would try to drop a letter as well as he could, so that the name "Dulcinea del Toboso" might be got into four ballad stanzas.
Sometimes they were broken into stanzas of four lines each, thence called redondillas, or roundelays, but their prominent peculiarity is that of the asonante, an imperfect rhyme that echoes the same vowel, but not the same final consonant in the terminating syllables. This metrical form was at a later period adopted by the dramatists, and is now used in every department of Spanish poetry.
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