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In this earlier article we find distinctly asserted: The reality, external to the true idea; The critic, reader, or epistemologist, with his own belief, as warrant for this reality's existence; The experienceable environment, as the vehicle or medium connecting knower with known, and yielding the cognitive RELATION;
A clever sort of girl, but a dreamer you might say." "I'd like to have had the handling of that devil!" "You never know. She may have had what's better than a wedding ring in happy dreams. Reality's not the best of life. People do change their minds. He was honest and all that. Only he found somebody else he liked better."
How comes it, then, that our critics so uniformly accuse us of subjectivism, of denying the reality's existence? It comes, I think, from the necessary predominance of subjective language in our analysis. However independent and elective realities may be, we can talk about them, in framing our accounts of truth, only as so many objects believed-in.
Reality's played him such ugly tricks that he may be tempted to fall back on unreality now." "You don't mean he'll let May go into that room to-night?" "I hope not. He was firm enough last night when the clergyman clamored to do so. In fact, he made me keep watch to see he didn't. But I think he's weakened a lot since Hardcastle came to grief in broad daylight.
His beauty must be judged and loved as we should judge and love the beauty of a real human being, for he is the closest reproduction that art has given of beautiful reality placed in reality's real surroundings. He is the embodiment of the strength and purity of youth, untroubled by the moment, independent of place and of circumstance.
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