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Updated: June 18, 2025
The actually present beauty is worthy of the really, of the actually present play-impulse; but by the ideal of beauty, which is set up by the reason, an ideal of the play-instinct is also presented, which man ought to have before his eyes in all his plays. Therefore, no error will ever be incurred if we seek the ideal of beauty on the same road on which we satisfy our play-impulse.
One has only to think of Gray's "Elegy" and the delight which it has afforded to generations of men. Another conception of the artistic impulse seeks to ally it with the "play-instinct." According to Kant and Schiller there is a free "kingdom of play" between the urgencies of necessity and of duty, and in this sphere of freedom a man's whole nature has the chance to manifest itself.
So strong was the play-instinct in him, as well as was his constitution strong, that he continually outplayed Scraps to abject weariness, so that he could only lie on the deck and pant and laugh through air-draughty lips and dab futilely in the air with weak forepaws at Michael's continued ferocious- acted onslaughts.
It has been even apparently exaggerated in this respect, and represented as a kind of mediator between reason and sense, between inclination and duty, having as its mission the work of reconciling the conflicting elements in the human heart. A strong trace of this view will be found in Schiller, especially in all that he says about the play-instinct in his "Aesthetical Letters."
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