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Either the Moko artists copied the style of the skilful carvers of panels, door-posts, clubs, and the figure-heads on the prows of canoes, or the wood-carvers borrowed and reproduced the lines and curves of the Moko.
This gang of robbers and outlaws swelled into a camp, a tribe, a numerous people, distinguished by the appellation of Geougen; and their hereditary chieftains, the posterity of Moko the slave, assumed their rank among the Scythian monarchs. The youth of Toulun, the greatest of his descendants, was exercised by those misfortunes which are the school of heroes.
Some generations before they ascended the throne of China, one of the Topa princes had enlisted in his cavalry a slave of the name of Moko, renowned for his valor, but who was tempted, by the fear of punishment, to desert his standard, and to range the desert at the head of a hundred followers.
This man was a tall Maori, about forty-five years of age, broad-chested, muscular, with powerfully developed hands and feet. His prominent and deeply-furrowed brow, his fierce look, and sinister expression, gave him a formidable aspect. Tattooing, or "moko," as the New Zealanders call it, is a mark of great distinction.
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