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Updated: May 22, 2025
Have you got it yourself, or has some one else who would pay it for the love of you? Would it not be interesting if you were to become the owner of the copyright of my operas? My friend Meser would continue the business on your account as honestly as he has done on mine; and a lawyer could easily put the thing in order. And do you know what would be the result?
I told him that I would let you know, and that I was convinced you would send me a copy for him if possible. It is said that the edition of Meser in Dresden is sold out, or else I might order one from there. You might in your next letter write a few lines which, or a copy of which, I could show to Roger. He is fairly musical, and might make a good effect in the part of Tannhauser.
I accordingly made arrangements with F. Meser, the court music-dealer, who had hitherto not got beyond the publication of a valse, and signed an agreement with him for his firm to appear as the nominal publishers on the understanding that they should receive a commission of ten per cent, whilst I provided the necessary capital.
On this occasion I heard of nothing but of the costs and expenditure to which my former agent had been put; but it was impossible to get any clear account of the receipts he had taken from my works beyond the fact that the lawyer admitted to me that the late Meser must have put aside some thousands of thalers, which, however, it would not be possible to lay hands on, as he had not left his heirs any funds at all.
From a speculative business point of view the situation was this: the hoped-for success of Tannhauser would bring in its wake a demand for my earlier works. The worthy Meser, my agent, who was the music publisher appointed to the court, had also begun to feel a little doubtful, and saw that this was the only thing to do.
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