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Updated: May 12, 2025
These two works were considered about the top of piano virtuosity. Meanwhile the boy was always composing and still with his teacher Marxsen. The political revolution of 1848, was the cause of many refugees crowding into Hamburg on their way to America. One of these was the violinist, Edward Remenyi, a German Hungarian Jew, whose real name was Hofmann.
Hannes' pale cheeks soon became plump and ruddy, as the result of fresh air and country food. Musical work went right on as usual. Studies in theory and composition, begun with Marxsen, were pursued regularly in the fields and woods all summer. When the summer was over and all were back in Hamburg again, Lischen used to come sometimes to Frau Brahms, of whom she soon grew very fond.
The concert was both a financial and artistic success. Not long after this, Cossel induced Edward Marxsen, a distinguished master and his own teacher, to take full charge of the lad's further musical training. Hannes was about twelve at the time. Marxsen's interest in the boy's progress increased from week to week, as he realized his talents. "One day I gave him a composition of Weber's," he says.
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