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Updated: May 8, 2025


As for the make of the chairs, they are to be found in plenty of English middle-class drawing-rooms even now. The shape may be named the 'deformed. The back is carved out into various contortions of a horse-shoe, with a bar across the middle which just catches you in the small of the back, and is a continual reproach if you venture to lean against it. The wood of which the chairs are made is mahogany, walnut, or cedar. The large round or oval table which stands in the middle of the room is of the same wood, and so are the card-table, the Davenport, the chiffonier, and that Jacob's-ladder-like what-not in the corner. In some houses the upholsterer has stuffed the room with useless tables. Of course there is a fender and fire-irons, and probably a black doleful-looking grate, which during two-thirds of the year is stuffed with paper shavings of all the colours of the rainbow and several others which good Mother Nature forgot to put into it. On the chimney-piece is a Louis XVI. clock and a pair of ornaments to match. A piano, tune immaterial, is a sine quâ non even in a middle-class house, but when Muttonwool has got all these things in short, paid his upholsterer's bill he thinks a ten-pound note should cover the rest of his drawing-room furniture. Household gods are terribly deficient, and it would not be difficult to fancy yourself in a lodging-house. There may be a few odds and ends picked up on the overland route, and a set of stereotyped ornaments bought at an auction sale or sent out as 'sundries' in a general cargo; but of bric-

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