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Updated: July 6, 2025
The youth to Artois the Marchesino seemed almost a boy, indeed, often quite a boy was admirable in his precocity. He embodied Naples, its gay furberia, and yet that was hardly the word perhaps rather one should say its sunny naughtiness, its reckless devotion to life purged of thought. And Vere what did she embody? Not Sicily, though she was in some ways so Sicilian.
Furberia e Puntiglio, which is a second-hand imitation of GOLDONI. The music, by Signor MARCELLO DI CAPUA, is agreeable, particularly a quartetto and a cavatina. RAFFANELLI shines in this piece as a first-rate actor. Il Matrimonio Secreto, the chef-d'oeuvre of CIMAROSA, and of its kind, perhaps, the most charming opera extant.
His best characters are Taddeo in Il Re Theodora, il Governatore in La Molinara, the Father in Furberia e Puntiglio, and the Deaf Man in Il Matrimonio Secreto. It is necessary to see him in these different operas to form a just idea of the truth and humour with which he represents them.
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