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She knew that she was emoting a more civil aversion than the teacher could muster. In part, it was amusement about the word, Reclasaur, but it was mostly of one who was valiently beyond worldly matters. With her equanimity she also displayed an obdurate, formidable haughtiness no different than any engraving or statue from Akhenaten to Lincoln, or Joan of Ark to Eleanor Roosevelt.
"That's better," she concurred, smiling. "Those tears you shed back there before the camera, who were they for?" "For the man I loved in the story," she explained. "I was 'emoting' as they call it over his death. The inspiration was provided by the orchestra you heard playing. My director thinks it's wonderful that I can shed tears whenever he asks me to.
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