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Updated: May 10, 2025
The other work of Cintio with which we are here concerned, a fragment which remained in MS. till published by Carducci in 1896 as an appendix to his essays on the Aminta, may be at once pronounced the most important attempt at writing a really pastoral drama previous to Beccari's Sacrifizio.
He returned, in spite of the best and most generous reception, to Rome; then left Rome for Mantua, on invitation from his ever-kind deliverer from prison, now the reigning duke; tired again, even of him; returned to Rome; then once more to Naples, where the Prince of Conca, Grand Admiral of the kingdom, lodged and treated him like an equal; but he grew suspicious of the admiral, and went to live with his friend Manso; quitted Manso for Rome again; was treated with reverence on the way, like Ariosto, by a famous leader of banditti; was received at Rome into the Vatican itself, in the apartments of his friend Cintio Aldobrandino, nephew of the new pope Clement the Eighth, where his hopes now seemed to be raised at once to their highest and most reasonable pitch; but fell ill, and was obliged to go back to Naples for the benefit of the air.
The conscious endeavour after a stable and adequate form appears to me a determining factor in the work of Casalio, Cintio, and finally Beccari.
Cintio had taken it for the subject of a romance. Whetstone had made out of Cintio's narrative the rude play of Promos and Cassandra; and Shakspeare had borrowed from Whetstone the plot of the noble tragicomedy of Measure for Measure. As Kirke was not the first so he was not the last, to whom this excess of wickedness was popularly imputed.
The value of Carducci's work lies in his insistence on the influence of the regular drama, to which, perhaps on account of its very obviousness, Rossi had failed to attach sufficient importance; in his directing attention to the local Ferrarese tradition; in the admirable energy and patience with which he has collected all available evidence; and in his reprinting the interesting pastoral fragment of Giraldi Cintio.
Cardinal Cintio requested the Pope to give him the honour of a coronation. It had been desired by the poet, it seems, three years before. He was disappointed of it at that time; and now that it was granted, he was disappointed of the ceremony. Manso says he no longer cared for it; and, as he felt himself dying, this is not improbable.
The most important, however, of the writers between Casalio and Beccari is the well-known Ferrarese novelist Giovanbattista Giraldi, surnamed Cintio, the author of the Ecatommiti, and of a number of tragedies on the classical model.
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