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Updated: May 9, 2025
Among Neapolitan writers, Tristano Caracciolo, so far as we are able to judge, holds indisputably the first place in this respect, although his purpose was not strictly biographical. In the figures which he brings before us, guilt and destiny are wondrously mingled. He is a kind of unconscious tragedian.
For some moments we watch the circlet of towns that fringe the base of the burning mountain and Camaldoli erect on its wooded height, and then our gaze is diverted towards Naples, so clearly revealed that one can almost fancy it possible to detect the carriages driving along the white line of the Caracciolo.
The same Platina and Giovio, whose great histories we only read because and so far as we must, suddenly come forward as masters in the biographical style. We have already spoken of Tristano Caracciolo, of the biographical works of Fazio and of the Venetian topography of Sabellico, and others will be mentioned in the sequel.
Evidently it had not been properly soothed. Come on; we may run across some of our ship-acquaintances. To-morrow we'll start for Rome, and then we shall add our own investigations to those of the consul." They had ridden up and down the Via Caracciolo twice when they espied a huge automobile, ultramarine blue. It passed with a cloud of dust and a rumble which was thunderous.
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