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We all became excited over this, for among the paragraphs which I had copied from Calancha's "Chronicle" was the statement that "close to Uiticos" is the "white stone of the aforesaid house of the Sun which is called Yurak Rumi." Our hosts assured us that this must be the place, since no one hereabouts had ever heard of any other Yurak Rumi.

This fits in with Calancha's statement that Titu Cusi tempted the monks not only with beautiful women of the highlands, but also with those who came from the tribes of the Yungas, or "warm valleys." The "warm valleys" may be those of the rubber country, but Sir Clements Markham thought the oases of the coast were meant. Furthermore, as Mr.

The necessity for the Spanish caravans to cross the river Pampas at this point made it easy for Manco's foraging expeditions to reach them by sudden marches from Uiticos down the Mapillo River by way of Huarancalque, which is probably the "Huarancalla" of Calancha's "Chronicles." He must have had rafts or canoes on which to cross the Apurimac, which is here very wide and deep.

As will be shown later, it is possible that this Vilcabamba, referred to in Calancha's story as "Vilcabamba Viejo," was on the slopes of the mountain now called Machu Picchu.

The story of the first is given in Calancha's account of the trials and tribulations of Friar Marcos and the martyrdom of Friar Diego Ortiz. The chronicler tells with considerable detail of their visit to "Vilcabamba Viejo." It was after the monks had already founded their religious establishment at Puquiura that they learned of the existence of this important religious center.

The missionary chronicler says that Titu Cusi was far from glad to see him and received him angrily. It worried him to find that a Spaniard had succeeded in penetrating his retreat. Besides, the Inca was annoyed to have any one preach against his "idolatries." Titu Cusi's own story, as written down by Friar Marcos, does not agree with Calancha's.

Safford has pointed out, among the artifacts discovered at Machu Picchu was a "snuffing tube" intended for use with the narcotic snuff which was employed by the priests and necromancers to induce a hypnotic state. This seems to me to furnish additional evidence of the identity of Machu Picchu with Calancha's "Vilcabamba."