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Updated: June 1, 2025
But the name of this complaint sets me thinking. Bronzed skin! What an odd idea! Wonder if it spreads all over one. That would be picturesque and pleasant, now, wouldn't it? To be made a living statue of, nothing to do but strike an attitude. Arm up so like the one in the Garden. John of Bologna's Mercury thus on one foot. Needy knife-grinder in the Tribune at Florence.
The first object that attracted us was John of Bologna's Mercury, poising himself on tiptoe, and looking not merely buoyant enough to float, but as if he possessed more than the eagle's power of lofty flight. It seems a wonder that he did not absolutely fling himself into the air when the artist gave him the last touch. No bolder work was ever achieved; nothing so full of life has been done since.
The Duke would not at that time see the model of Maestro Giovan Bologna, because, not having seen any work by him in marble, it did not seem to him that he could entrust to that master, as his first work, so great an undertaking, although he heard from many craftsmen and other men of judgment that Giovan Bologna's model was in many parts better than the others.
Yet there was something about that poise quite unearthly and uncanny; the man stood so airily on his high rocky perch that he reminded Le Neve at once of nothing so much as of Giovanni da Bologna's Mercury in the Bargello at Florence; he seemed to spurn the earth as if about to spring from it with a bound; his feet were as if freed from the common bond of gravity.
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