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Updated: May 13, 2025
The Scottish type of church consisted of a small aisle-less nave and square chancel: the Italian type generally had aisles, and the altar was usually raised upon a platform, beneath which was a crypt called confessio. A little later than 670 A.D. Wilfrid's new minster was solemnly dedicated by him in honour of St.
The nave of the early XIII century is an aisle-less chamber, low and broadly arched. As the eye continues down its length, it is met by the south aisle of the choir, opening directly into the centre of the nave. Except for this curiously bad juxtaposition, both are normally constructed, and each is of so differing a phase of Gothic that they give the effect of two adjoining churches.
Its interior is an aisle-less Gothic room, whose fine height and emptiness of column or detail give it an appearance of vast and well-conceived proportions. Except the really beautiful windows of the choir, which are a study in themselves, there is very little in this interior to hold the mind; one is lost in a pleasant sense of general symmetry.
The interior is the usual little hall church of the XI century, with its aisle-less nave of five bays, and plain piers supporting a tunnelled roof, with double vault arches. Beyond the last bay, over the choir, is the Cathedral's octagonal dome, and from the rounded windows of its lantern comes much of the light of the interior, which is sombre and without other windows of importance.
The interior fills no accepted formula of architectural expression, save that it is of the manner common to Anjou, the borderland between the Gothic aisled and the great and aisle-less southern naves, but it holds one's interest none the less. Perhaps, after all, it is the quality to interest, quite as much as that to please, which is the standard by which one makes estimates and forms opinions.
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