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Updated: May 31, 2025
This magnificent octagonal building with its narthex and atrium had, according to Agnellus, been founded by the Archbishop S. Ecclesius, that is to say, between 521 and 534. It was apparently finished and decorated later by Julius Argentarius, and was consecrated by the archbishop S. Maximianus in 547.
Here in this mighty tomb, which is known in Ravenna as La Rotonda, abandoned now in an unkempt garden, Theodoric, who expected to found a line of kings who would one day lie beside him; as long as he lay there at all, lay there alone. Not for long, however, did he enjoy that solitude. Already, when Agnellus wrote his Liber Pontificalis, the tomb was empty.
As their brethren at Canterbury had done, so did they; they refused all houses and lands, and the house was made over to the corporation of London for their use. Not long after the worthy citizen assumed the Franciscan habit and renounced the world, to embrace poverty. In the autumn of 1225 Ingworth and the younger Richard left London, Agnellus taking their place.
But the Epigram which Agnellus quotes from this building would seem to suggest that the salutatorium was rather then rebuilt than added for the first time to the church. The magnificent basilica, one of the most splendid in Italy, was sacked by the French in April 1512, but, as Dr.
One of the most splendid ornaments the church possessed would seem to have been a ciborium of silver, borne by columns which stood over the high altar also of silver. This is said by Agnellus to have been placed there by the bishop S. Victor, who seems to have ruled in Ravenna from about 537 to 544.
Among these was an equestrian statue in gilded bronze, according to Agnellus a portrait of the great Gothic king, but as Dr Ricci suggests a statue of the Emperor Zeno. This too in the time of Leo III. Charlemagne carried away. According to the same authority the back of the palace was not then very far from the sea, and this was so even in 1098.
In the treasury, again, we find two other panels from the ambo of S. Agnellus, and a strange calendar carved upon a slab of marble to enable one to find the feast of Easter in any year from 532 to 626; this is certainly of the sixth century. A certain number of Mediaeval and Renaissance things are also to be seen in the church.
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