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The "Watermaid" belongs to the largest class of Lope's plays the class in which he excelled comedias de capa y espada. Ticknor erroneously classes it as a comedy "founded on common life" or as styled by others comedia de costumbres, but it is probable he did so without making himself thoroughly familiar with the comedy in its full form.

However, the Spanish critics usually narrow the class to include only the dramas of Lope which deal with the lower strata of social life and make the error of classing the Moza de Cántaro among them.

Since Lope de Vega had no classic rules to observe and was limited in his composition only by popular tastes, he could without offense take his characters from whatever class of society he wished so long as his choice was pleasing to the audience, which, it happens, was not easily offended.

Literary comparisons have been made occasionally and modern forms or equivalents for archaic words and expressions have been given, but usually these have been limited to words not found in the better class of dictionaries commonly used in the study of such works. The editor is especially indebted to Sr.

Zerolo is very emphatic in attributing it to the class of comedias de capa y espada, for he says: "Más que ninguna otra, reune esta obra las circunstancias que caracterizan á las comedias de capa y espada, como embozos, equívocos, etc."