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The speech referred to may be found in Part I, Chap. Vine al país de Vd., me dijo, muy joven y destinado al comercio, como muchos de mis compatriotas.
=Levantó la cabeza=, note the use of definite article instead of possessive pronoun. =No pudo menos de reírse=, he could not help laughing. =Cuando se la da cuerda=, when it is wound up. =Al salir de=, on coming from. =Me hago como que no la veo=, I'll make out that I don't see her. =A quien acabo de encontrar=, whom I have just found.
So the style like the action never settles in dull monotony, which, be it ever so beautiful, ends by wearying the audience. The great master put diversion into every thought and filled the listener with rapture by the versatility and beauty of his inimitable style. One of the secrets of Lope's influence over his contemporaries is to be found in his versification.
To these various classes must be added the Autos sacramentales, which were written to be represented on occasions of religious festivals. Their theme is usually popular, even grotesque, and the representation took place in the streets. Lope de Vega took the Spanish drama as he found it, and from its better qualities he built the national drama.
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