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Lepère has started some publications for this purpose; he has had pupils of great merit, and he must be considered the master of the whole generation of modern wood-engravers, just as Chéret is the undisputed master of the poster. Lepère's ruling quality is strength.

The old wood-engravers were supplied by designers with drawings of the best class, and very quaint and original are the ornaments which embellish the books of the sixteenth and seventeenth centuries, particularly such as were published in Germany, or at Lyons, the latter city being then most eminent for the taste and beauty of its illustrated volumes, the former for a bolder but quainter character of art.

<b>POPP, BABETTE.</b> Born in Regensburg, 1800; died about 1840. Made her studies in Munich. In the Cathedral of Regensburg is her "Adoration of the Kings." <b>POWELL, CAROLINE A.</b> Bronze medal at Chicago, 1893; silver medal at Buffalo, 1901. Member of the Society of American Wood-Engravers and of the Boston Society of Arts and Crafts. Born in Dublin, Ireland.

It is now the custom for wood-engravers to place their names or marks on their cuts, and very seldom those of the artists who draw the designs for them upon the wood.

In Bavaria they used the skill of the wood-engravers, and at Augsburg, Ulm, and Nuremberg produced the first illustrated printed books. It was two Germans of the old school, Conrad Sweynheym and Arnold Pannartz, who carried the art to Italy, casting the first type in Roman characters, and printing editions of the classics, first in the Benedictine monastery of St.

It has been said that wood-engravers killed their own art so far as journalism was concerned by their surrender to commerciality with its frequent demand for the ready-to-hand rather than the superior thing.

Let it be a dashing murder that shall keep the wood-engravers at it for the next two months. You are the boy to go through with it, and interest the town! The miserable wretch, inflated by this lunatic conceit, arranges his whole plan for publication and effect. It is quite an epitome of his experience of the domestic melodrama or penny novel.

Not that good wood-engravers did not exist before its time, and not because it contained wood-engravers, for the club did not have the name of one among its membership, but as containing a group of painters who for the first time in aid of the art of wood-engraving in this country lent their names and brushes to an illustrated magazine.