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Updated: May 4, 2025


She has painted many portraits, both in oils and water-colors, and has been appointed a teacher in at least two Government schools in Naples. <b>RODIANA, ONORATA.</b> Was a contemporary of the saintly Caterina de Vigri, but was of quite another order of women. She had one quality which, if not always attractive, at least commands attention.

This, and kindred hindrances, too patent to require enumeration, account for the fact that but two Italian women of this period became so famous as to merit notice Caterina Vigri and Onorata Rodiana, whose stories are given in the biographical part of this book. In Flanders, late in the fourteenth and early in the fifteenth centuries, women were engaged in the study and practice of art.

Many honors were paid to the memory of Caterina de Vigri. She was chosen as the protectress of Academies and Art Institutions, and in the eighteenth century a medal was coined, on which she is represented as painting on a panel held by an angel. How few human beings are thus honored three centuries after death! <b>VINCENT, MME.</b> See Labille.

<b>VIGRI, CATERINA DE.</b> Lippo Dalmasii was much admired by Malvasia, who not only extols his pictures, but his spirit as well, and represents him as following his art as a religion, beginning and ending his daily work with prayer. Lippo is believed to have been the master of Caterina de Vigri, and the story of her life is in harmony with the influence of such a teacher.

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