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"The Seduction of la Cava," "The Vengeance of Count Julien," "The Battle of Guadalete," are brought back in the same fashion by the historians and writers of Mussulman romances. R. Basset. Legendes Arabes d'Espagne. La Maison fermée de Tolède. Oran, 1898, in 8vo. The romance on the construction of the Alhambra has preserved the character of an Arabic legend which dates from before the prophet.
He had been in New York one day. One child died at sea. "Les landes" he cried, towering over The Enormous Room suddenly one night in Autumn, "je les connais commes ma poche Bordeaux? Je sais ou que c'est. Madrid? Je sais ou que c'est. Tolede? Seville? Naples? Je sais ou que c'est. Je les connais comme ma poche." He could not read.
It leaped into popularity at a bound, and its pretty melodies are still as fresh as when they were first sung. "The Rose of Castile," comic opera in three acts, words by Harris and Falconer, adapted from Adolphe Adam's "Muletier de Tolède," was first produced at the Lyceum Theatre, London, Oct. 29, 1857, with the following cast:
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