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Updated: May 25, 2025
I heard afterward that we call it a seto-ware because it is made in Seto. I'm a Yedo kid, and thought all china was seto-wares. In the center of the alcove was hung a panel on which were written twenty eight letters, each letter as large as my face. It was poorly written; so poorly indeed that I enquired of the teacher of Confucius why such a poor work be hung in apparent show of pride.
Why the pine twigs, I did not know, except that they are in no danger of withering for many a month to come, and are economical. I asked the teacher of natural history where that seto-ware flower vase is made. He told me it was not a seto-ware but an imari. Isn't imari seto-ware? I wondered audibly, and the natural history man laughed.
The alcove in the fifteen-mat room which I occupied at Yamashiro-ya made a small showing beside it. I measured it and found it was twelve feet wide. On the right, in the alcove, there was a seto-ware flower vase, painted with red designs, in which was a large branch of pine tree.
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