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The Manilla galleon, not having sailed from Acapulco, in consequence of his appearance off that place, calculating that there would be two vessels this year instead of one, he determined to cruise off the island of Samal in the hopes of intercepting them. He at first kept this plan to himself, but as soon as the ship was at sea he summoned the crew on deck and informed them of his intentions.

However, the danger of the road at Guam is so great, that though the galleon is ordered to call there, yet she rarely stays above a day or two, but getting her water and refreshments on board as soon as possible, she steers away directly for Cape Espiritu Santo, on the island of Samal.*

He therefore resolved to cruise for these returning vessels off Cape Espiritu Santo, on the island of Samal, which is the first land they always make in the Philippine islands. And as June is generally the month in which they arrive there, he doubted not but he should get to his intended station in time enough to intercept them.

In all the groups, except the Bila-an, the percentage of individuals showing evidences of Negrito blood increases as we go from the coasts toward the interior, until in such divisions as the Obo and Tigdapaya of the Bagobo, and the Tugauanum of the Ata, practically all the people show traces of this admixture. Negrito are reported from the Samal Islands in the Gulf of Davao.

Think of Filipe Buencamino, of Aguinaldo's cabinet, representing the Moros of Zamboanga; of the mild, scholarly botanist Leon Guerrero representing the Moros, Bagobos, Mandayas and Manobos of Davao; of José M. Lerma, the unscrupulous politician of the province of Bataan, just across the bay from Manila, representing the wild Moros of Cotabato; of Juan Tuason, a timid Chinese mestizo Manila business man, representing the Yacan and Samal Moros of Basilan; of my good friend Benito Legarda, since a member of the Philippine Commission, and a resident delegate from the Philippines to the congress of the United States, representing the bloody Moros of Jolo!

One only needs to compare these objects with similar specimens from Borneo and the Malayan Islands of the South, to find the source of this type of ornamentation. In fact the imitation of Moro wares is practiced today. In Plate XLIa and b are shown two betel nut boxes No. 1 the work of the Samal Moro, No. 2 the imitation of the inlaid work on the top of the first specimen.

Not once did the writer receive a name for any pattern or design shown in metal work. A careful study of the method of work, of the articles produced, and of the folk-lore and religious observances connected with the work in brass and copper brings one to the conclusion that this class of work is of comparatively recent introduction and that the instructors in the art were the Samal Moro.