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Updated: May 3, 2025
"I's kite sure I's stood for hours beside dat post listin' to it hummin' an hummin' like our olianarp " "Now, Robin, do be careful. You know mamma calls it an olian harp." "Yes, well, like our olian harp, only a deal louder, an' far nicer. An' I's often said to myself, Is that the 'trissity ?" "Lek, Robin, lek!" "Well, yes, lek-trissity.
The 'olian Harp to which he so loved to listen does not more surely respond in music to the breeze of heaven than does Coleridge's poetic utterance to the wind of his inspiration. Of the dreamy fascination which Love exercises over a listening ear I have already spoken; and there is hardly less charm in the measure and assonances of the Circassian Love Chant.
"And tranquil muse upon tranquillity." One cannot in fact refrain from mentally comparing the 'olian Harp of 1795 with the Dejection of 1803, and no one who has thoroughly felt the spirit of both poems can make that comparison without emotion. The former piece is not, as has been said, in a literary sense remarkable.
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