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Updated: May 17, 2025


And, in singing, Rubini was his idol Rubini who triumphed in the role of Othello, giving the suspicion air in a manner no one could equal. It intoxicated him to hear this tenor with Tamburini, Lablache, and Madame Grisi; while Nourrit's song, Ce Rameau qui donne la Puissance et l'Immortalite in Robert le Diable made his flesh creep. It yielded a glimpse of life with all its dreams satisfied.

Similar changes are understood to have been made in "Le Prophète" by advice of Nourrit, whose poetical insight seems to have been unerring. It was left to Duprez, Nourrit's successor, however, to be the first exponent of John of Leyden.

Yet the opera did not see the light until Nourrit's successor, Duprez, had vanished from the stage, and his successor again, Roger, who, though a brilliant singer, was far inferior to the other two in creative intellectuality, appeared on the scene. This artist may be also included as belonging largely to the sphere of Pauline Viardot's art-life.

Nourrit's delight at this piece of good luck, however, was quickly checked. Mme. Garcia firmly declined, and said that if her son Manuel could not come to her from Rome for the purpose of training Pauline's voice, she herself was equal to the task, knowing the principles on which the Garcia school of the voice was founded.

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