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Updated: June 28, 2025
The Villa Nardi stands in pleasant relations to Vesuvius, which is just across the bay, and is not so useless as it has been represented; it is our weather-sign and prophet. When the white plume on his top floats inland, that is one sort of weather; when it streams out to sea, that is another.
Yet a sketch of the situation is necessary in order to bring into relief the different points of view maintained by Segni, Nardi, Varchi, Pitti, and Nerli respectively. At the period in question Florence was, according to the universal testimony of these authors, too corrupt for real liberty and too turbulent for the tranquil acceptance of a despotism.
For the mode of working the Parlamento and Balia, see Segni, p. 199; Nardi, lib. vi. cap. 4; Varchi, vol. ii. p. 372.
The ox Nardi, the emblem of life in nature, is the son of the creating father, or rather his life-giving breath. Ammianus Marcellinus mentions, in one of his works, that there exists a book which gives the exact age of Apis, the clue to the mystery of creation and the cyclic calculations. The Brahmans also explain the allegory of the ox Nardi by the continuation of life on our globe.
At the Villa Nardi we have no sound of wheels, no noise of work or traffic, no suggestion of conflict. I am under the impression that everything that was to have been done has been done. I am, it is true, a little afraid that the Saracens will come here again, and carry off more of the nut-brown girls, who lean over the walls, and look down on us from under the boughs.
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