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Updated: May 6, 2025
They're very fond of visiting the flower-girls at market-time, and agreements are entered into then for which more than one gold piece must be paid later; but for a few roses and good words they are not accustomed to be so liberal as you have been. The girls have been boasting about you and your gifts, and showing your good red gold to their stingier suitors.
Bourais threw up his hands, sneezed, and then laughed uproariously; such ignorance delighted his soul; but Félicité failed to understand the cause of his mirth, she whose intelligence was so limited that she perhaps expected to see even the picture of her nephew! It was two weeks later that Liébard came into the kitchen at market-time, and handed her a letter from her brother-in-law.
They're very fond of visiting the flower- girls at market-time, and agreements are entered into then for which more than one gold piece must be paid later; but for a few roses and good words they are not accustomed to be so liberal as you have been. The girls have been boasting about you and your gifts, and showing your good red gold to their stingier suitors.
Bourais threw up his hands, sneezed, and then laughed uproariously; such ignorance delighted his soul; but Felicite failed to understand the cause of his mirth, she whose intelligence was so limited that she perhaps expected to see even the picture of her nephew! It was two weeks later that Liebard came into the kitchen at market-time, and handed her a letter from her brother-in-law.
They're very fond of visiting the flower-girls at market-time, and agreements are entered into then for which more than one gold piece must be paid later; but for a few roses and good words they are not accustomed to be so liberal as you have been. The girls have been boasting about you and your gifts, and showing your good red gold to their stingier suitors.
The distance between such performances magic evocations of light and colour and melody and the gross buffoonery of the popular stage, still tainted with the obscenities of the old commedia dell' arte, in a measure explains the different points from which at that period the stage was viewed in Italy: a period when in such cities as Milan, Venice, Turin, actors and singers were praised to the skies and loaded with wealth and favours, while the tatterdemalion players who set up their boards in the small towns at market-time or on feast-days were despised by the people and flung like carrion into unconsecrated graves.
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