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Recent investigations make it probable that certain pictures which have for generations been attributed to Frans Hals were the work of Judith Leyster. In 1893 a most interesting lawsuit, which occurred in London and was reported in the Times, concerned a picture known as "The Fiddlers," which had been sold as a work of Frans Hals for £4,500.
Vanderdonk, she that was a De Leyster, was going to throw open her picture gallery for charity, which would give us an opportunity to see her new house. In fact the undertow of the Whirlpool was still pulling at her ankles, even though she had freed her head, and it seemed impossible to her that there could be any New York other than the one she knew.
<b>LEYSTER, JUDITH.</b> A native of Haarlem on Zandam, the date of her birth being unknown. She died in 1660. In 1636 she married the well-known artist, Jan Molemaer. She did her work at a most interesting period in Dutch painting. Her earliest picture is dated 1629; she was chosen to the Guild of St. Luke at Haarlem in 1633.
Similar initials are on the "Flute Player," in the gallery at Stockholm; the "Seamstress," in The Hague Gallery, and on a picture in the Six collection at Amsterdam. It is undeniable that these pictures all show the influence of Hals, whose pupil Judith Leyster may have been, and whose manner she caught as Mlle. Mayer caught that of Greuze and Prud'hon.
At all events, the present evidence seems to support the claim that the world is indebted to Judith Leyster for these admirable pictures. <b>MACH, HILDEGARDE VON.</b> This painter studied in Dresden and Munich, and under the influence of Anton Pepinos she developed her best characteristics, her fine sense of form and of color.
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