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The most ardent of them in these later days is a certain Zakurdalo-Skubrinikov, a retired guardsman, a full-bearded man of thirty-eight, of exceptionally vigorous physique. The French habitues of Madame Lavretsky's salon call him "le gros taureau de l'Ukraine;" Varvara Pavlovna never invites him to her fashionable evening reunions, but he is in the fullest enjoyment of her favours.
The most ardent of them in recent times has been a certain Zakurdalo-Skubyrnikof, a retired officer of the guard, a man of about thirty-eight years of age, wearing long mustaches, and possessing a singularly vigorous frame. The Frenchmen who frequent Madame Lavretsky's drawing-room call him le gros taureau de l'Ukraine.
His compositions include: Suite for violin and orchestra, "Les Viellées de l'Ukraine," 1891; Concerto for cello, 1894; Divertissement for orchestra, 1895; "La Mort de Tintagiles," 1897; "Divertissement espagnol" for orchestra and saxaphone; "La Villanelle du Diable"; "A Pagan Poem"; "Hora mystica"; "Psalm 137"; "To One Who Fell in Battle"; Two rhapsodies for oboe, viola and pianoforte; String-sextet; String-quartet; Music for Four Stringed Instruments; Songs on poems by Baudelaire, Verlaine, Yeats, Rossetti, Lodge, Kahn, etc.
His earlier compositions, the quintet, the orchestral "Les Vieillées de l'Ukraine" and "La bonne chanson," for instance, are distinctly derivative and uncharacteristic in style. The idiom is derived in part from Fauré, in part from Wagner and other of the romanticists.
Loeffler is distinctly original and imaginative. His works are both poetical and musical, and they display high thought and exceptional knowledge. His compositions include a sextet, a quintet, and an octet, also a suite for violin and orchestra, "Les Veillées de l'Ukraine;" a concerto for violoncello, which has been played by Mr.
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