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The details of this curious legend deserve attention for the sake of their close relation to the observances of the Shinto cult. Moreover, the mythology now takes a new departure. At the time of Izanagi's return from hades, vague reference is made to human beings, but after Susanoo's departure from the "plain of high heaven," he is represented as holding direct converse with them.

They again took counsel with the other beings on the "plain of high heaven," and it was decided to have recourse to the Kami born from the blood that dropped from Izanagi's sword when he slew the Kami of fire. To one of these the Kami of courage the mission of subduing the land of many islands was entrusted, and associated with him in the work was the Kami of boats, a son of Izanagi and Izanami.

Less palpable, but still sufficiently striking, is the resemblance between the story of Atalanta's golden apples and the casting down of Izanagi's head-dress and comb as grapes and bamboo sprouts to arrest the pursuit of the "hag of hades."

In common geography it is identified as Awaji, at the entrance of the Inland Sea. Thence followed the creation of the other visible objects in nature. Izanagi's Visit to Hades and Results. After the birth of the god of fire, which nearly destroyed the mother's life, Izanami fled to the land of roots or of darkness, that is into Hades.

This is suggested also by the peculiar Shinto horror of death as pollution: even at this day to attend a funeral, unless the funeral be conducted after the Shinto rite, is religious defilement. The ancient legend of Izanagi's descent to the nether world, in search of his lost spouse, illustrates the terrible beliefs that once existed as to goblin-powers presiding over decay.