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Updated: June 22, 2025
Then, having risen, she would sit before her toilet-table, and with a tension of thought as ardent as in her prayer, she would handle the powders, the pastes, the pencils, the puffs and brushes, which gave her once more a plaster-like beauty, fragile, lasting only for a day. On the Boulevard two names were heard from all lips: "Emma Helsson" and "Montrose."
It was no longer two illustrious actors, Montrose and Helsson; they became two beings from the ideal world, hardly two beings, indeed, but two voices: the eternal voice of the man that loves, the eternal voice of the woman that yields; and together they sighed forth all the poetry of human tenderness. When Faust sang: "Laisse-moi, laisse-moi contempler ton visage,"
"A stage-box at the Opera for the single performance of Helsson and Montrose." "Oh, my friend, what a pity! And my mourning?" "Your mourning has lasted for almost four months." "I assure you that I cannot." "And Annette? Remember that she may never have such an opportunity again." "With whom could she go?" "With her father and the Duchess, whom I am about to invite.
This would be, the newspaper stated, a magnificent musical solemnity, for the tenor Montrose, who had been absent six years from Paris, had just won, throughout Europe and America, a success without precedent; moreover, he would be supported by the illustrious Swedish singer, Helsson, who had not been heard in Paris for five years.
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