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Updated: May 16, 2025


The question relating to the text will only be noticed so far as it is inextricably involved with the argument respecting the nature of the weird sisters. Mr. Fleay's position is, shortly, this.

First, then, and most important, Shirley's play bearing the same title as the romance will claim our attention as the most full and faithful stage-rendering of Sidney's work. Although not printed till 1640 the play was, according to Mr. Fleay's plausible conjecture, performed on the king's birthdayas early as 1632.

Beaumont, Fletcher, etc. Plays in Mermaid Series, Temple Dramatists, etc.; Schelling's Elizabethan Drama; Lowell's Old English Dramatists; Lamb's Specimens of English Dramatic Poets; Fleay's Biographical Chronicle of the English Drama; Swinburne's Essays, in Essays in Prose and Poetry, and in Essays and Studies. Bacon. Minor Prose Writers.

Fleay's minute, elaborate, and often specious argument; but the opinion of the Cambridge editors seems to me to a certain extent sound. I cannot, however, go to the length which they do in rejecting parts of this play as not being Shakespeare's work.

Fleay's suggestion of 1589-90 may be accepted as the earliest likely date . To my mind it would need external proof of an unusually cogent description to render plausible the theory that the year, say, of the Shepherd's Calender saw the appearance of such lines as:

The following is from a scene between the two disguised maidens: Gallathea may be plausibly enough assigned to the year 1584 . The date of the next play we have to deal with, Love's Metamorphosis, is less certain, though Mr. Fleay's conjecture of 1588-9 seems reasonable.

As I have gone through Massinger with a view to these repetitions, I propose to notice those that occur in the present play. When I allude to a play going under the name of Beaumont and Fletcher as partly Massinger's, I am supported either by Mr. Fleay's tables, published in the Transactions of the New Shakspere Society, or to my own extension of these tables published in the Eng.

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