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A neighbouring ridge further on I at once christened the Horselberg, and as we drove through the valley, pictured to myself the scenery for the third act of my Tannhauser. This scene remained so vividly in my mind, that long afterwards I was able to give Desplechin, the Parisian scene-painter, exact details when he was working out the scenery under my direction.
I explained my reasons for not having offered it to him before, but declared myself ready to further his wishes, as I considered the opera company was now sufficiently powerful. The son of my old friend, F. Heine, had just returned from Paris, where he had been sent by the Dresden management to study scene-painting under the artists Desplechin and Dieterle.
His highest enthusiasm was aroused by the theatre, decorated by the three French artists Desplechin, Sechan, and Dieterle. He reached Passy on the 3rd of November, having crowded into the preceding week visits to Maintz, Cologne, Aix-la-Chapelle, and several places in Belgium. The form assumed by his malady was arachnitis, an inflammation of the network of nerves enveloping the brain.
The order for this, as well as the necessary negotiations with the Parisian painter, Desplechin, had already been settled in the preceding autumn. The management agreed to all my wishes, even to the ordering of beautiful costumes of mediaeval character designed by my friend Heine.
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