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He will exhort you to imitate these ancients, and offer you antiquated models that lend themselves as little to imitation as old sculpture, say the clean-cut, sinewy, hard, firmly outlined productions of Hegesias, or the school of Critius and Nesiotes; and he will tell you that toil and vigilance, abstinence and perseverance, are indispensable, if you would accomplish your journey.
Critius and Nesiotes, two sculptors who worked habitually in partnership, were commissioned to make a second group, and this was set up in 477-6 on the same terrace where the first had been After the restoration of Antenor's statues toward the end of the fourth century the two groups stood side by side. The proof may be stated briefly, as follows.
Altogether we see here the stamp of an artistic manner very different from that of Critius and Nesiotes. Possibly, as some have conjectured, it is the manner of Calamis, an Attic sculptor of this period, whose eminence at any rate entitles him to a passing mention. But even the Attic origin of this statue is in dispute.
The only question that remains in serious doubt is whether our copies go back to the work of Antenor or to that of Critius and Nesiotes. Opinions have been much divided on this point but the prevailing tendency now is to connect them with the later artists. That is the view here adopted In studying the two statues it is important to recognize the work of the modern "restorer."
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