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Updated: May 11, 2025
But there is much in common between two forms of an art in which physical dexterity counts for so much, and that passionate precision to which error must be impossible. It is the same kind of joy that you get from Cinquevalli when he juggles with cannon-balls and from Paderewski when he brings a continuous thunder out of the piano.
We try to fish out the bits of something, but even when we have caught them the result is not satisfactory; it is like eating leather. Next comes bowls of rice, and if it was difficult before, it is doubly so now. I should certainly never be able to pick up grains of rice with a chopstick while that solemn little maid sits opposite; it would take a Cinquevalli to do it!
What as a matter of common-sense it clearly has not a right to do is to make this an excuse for keeping the child slaving for ten hours at physical exercises on the ground that it is not yet as dexterous as Cinquevalli and as strong as Sandow. The Rewards and Risks of Knowledge
There's boxers that goes in for what's called pretty work ... nice, neat boxing ... but the spectators soon begin to yawn over it. What people like to see is one chap getting a smack on the jaw and the other chap getting a black eye. And it's the same with everything. Ever seen Cinquevalli balancing a billiard ball on top of another one?
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